Time in a 3-Ring Binder

These exposures were made in McConnells Mills over the holidays and are among my last prints from 2008.

I've been keeping my negatives in plastic sleeves and 3 ring binders marked by year since 2004 and I can't help but think that as each year passes, so passes my opportunity to add to another set of binders.Each year's work becomes fixed in potential. With these thoughts comes the urge to try and make up time, to take one last shot at creating something from the passing cycle... Of course that cycle ends whether we're ready or not.

Thankfully, the new year brings with it another beginning. Unknown sights, discoveries and experiences await as well as a new binder, empty, yet full of possibility. Tonight I added my first group of negatives to it and printed 2009 on the spine in black marker. A wonderful feeling.

The "Little Things" Portfolio

While I'm just starting to make my final set of prints from Project Pond Scum on Michael Smith & Paula Chamlee's new silver chloride paper I'm also beginning a new series. I was fortunate enough to buy 1500 little sheets (2.5inches square) of vintage Kodak Azo silver chloride paper at a great price. I've fallen in love with having my new to me 6x6cm camera (tiny compared to my 8x10) on me most of the time and being ready to capture those little visual miracles we encounter so often if we're open to them. I've also fallen in the love with the way small contact prints draw the viewer in and the intimate nature of that experience. This particular photograph was exposed in the parking lot where I work... Unfortunately the tree shedding all the leaves was cut down a few days ago so this was the last such display I'll find when I park my car for the day.

This image is really a prime example of what I have in mind moving forward. I've decided to use the paper to create a portfolio called "Little Things", a reference to both the size of the prints as well as the subject matter. I'm more excited about my photography than ever and can't wait to see what else I discover on this journey. I'll be sure to post my ongoing results here as I did with my last series. I hope you enjoy viewing them, I sure love making them.

Little Squares

WARNING: there is a little equipment speak in this post... I promise it won't happen again!

If you're reading this you probably know I've been neglecting my blog for several months. My job has changed since February and I've gone from full time to consistent overtime. It's enjoyable but cuts into my free hours none the less. I make sure time for photography is at the top of my priority list so my writing fell victim... Tonight I'm setting a new precedent and giving up a little sleep instead as I feel this outlet is important enough to merit it.

I've also made another move to free up a little more time. I have been trading my 35mm equipment from the 70s (which has been made more valuable by it's compatibilty with current digital cameras) in on medium format equipment (which has been made less valuable by those same digital cameras). While I used the 35mm primarily at night, the larger size of the medium format negatives offers me the ability to make prints during the daylight that meet the high standards I've developed over the last 4 and half years of making 8x10 inch negs and contact prints. While I still prefer and use the big cameras I can now work in situations and time frames that I may otherwise have not...

I decided to go with a square format camera as both a means of expanding my compositional horizons and , quite simply, as a change of pace. Shape and size are not the only differences, I've also been exploring a look using subtle selective focus and softer, warmer tones. I've never been more excited about my work and look forward to using this new tool to caputure those fleeting moments that so often times escape me when armed only with my "Green Monster".

These accompanying images were exposed with the new camera last weekend at a gathering of artists near Cuyahoga Valley National Park (hosted by the ever so generous John Powers and his wife Dolly. THANK YOU!) It's a beautiful place I've managed to overlook for some time and can't recommend it enough if you live nearby.

New Special Edition Print: Mill Street Bridge

My newest Special Edition Print offering was made on Memorial Day in downtown New Castle, PA. I spent the morning with a friend photographing along Slippery Rock Creek and ended up near the town square on the way home. While waiting for Scott to make an exposure I began wandering around the back alleys and found my way to a parking area next to the river. I'd never really noticed the odd relationship between the Old Mill Street Bridge and the buildings on the far shore before. The river runs underneath the bridge at an angle allowing the old department store to sit just behind the iron framework and creating a rather unusual perspective. I made two negatives, one from farther back incorporating a windblown tree into the composition but I ultimately preferred this closer interpretation... Especially the position of the 'black' and 'BINGO' windows and they way the T in brother is replaced by a giant 'T' created by the ironwork. Prints will be available for a short time at the reduced price of $50. If you've ever wanted to see or own an 8x10 contact print, this is one of my finer examples from a technical standpoint and one of my favorite compositions of the moment. You can find out more information by visiting my website.

Pond Scum at The Butler

Three photographs from Project Pond Scum, #46, #56 and #64 have been juried into the 72nd National Midyear Exhibition at the Butler Museum of American Art in Yountstown, OH. This year's juror is New York based realist painter Don Eddy. The exhibition begins with a reception Sundy July 13, 2008 from 1 to 3pm and runs through Aug 24.