New Special Edition Print: Hanging Tree

This exposure was made back in May of 2006 and for whatever reason I had not gotten around to printing it. The negative proved to be a good candidate for split grade printing and I was able to pull the tones I was looking for. The tree seems to share them with the stone... blending into one another in a second, purely visual way. I remember making the negative one morning in McConnells Mill State Park and being impressed with the display of graceful tenacity.

The contact print is approximately 4x5 inches; mounted and over mated with white, 4ply, 8x10 inch Alpharag Artcare museum board; signed and numbered on the front; stamped, dated and titled on the verso. The silver gelatin print is toned lightly in selenium and available for a limited time at the reduced price of $50. See my website for more info.

50 years ago today...

Photography lost one of it's brightest lights, Edward Weston. His photographs and Daybooks have been an inspiration to myself and countless others.

"It is classic, completely satisfying -- a pepper -- but more than a pepper: abstract, in that it is completely outside subject matter. it has no psychological attributes, no human emotions are aroused, this new pepper takes one beyond the world we know in the conscious mind. To be sure much of my work has this quality, many of my last year's peppers, but this one, and in fact all the new ones, take one into an inner reality -- the absolute --with clear understanding, a mystic revealment. This is the "significant presentation" that I mean, the presentation through one's intuitive self, seeing 'through one's eyes, not with them;' the visionary." EW 1930

"I never try to limit myself by theories. I do not question right or wrong approach when I am interested or amazed -- compelled to work. I do not fear logic, I dare to be irrational, or really never consider whether I am or not. This keeps me fluid, open to fresh impulse, free from formulae -- the public who know my work is often surprised, the critics, who all, or most of them, have their pet formula are disturbed, and my friends distressed." EW 1932

"I am the adventurer on a voyage of discovery, ready to receive fresh impressions, eager for fresh horizons, not in the spirit of a militant conquerer to impose myself or my ideas, but to identify myself in, and unify with, whatever I am able to recognize as significantly part of me: the 'me' of universal rhythms." EW 1932

Pond Scum at Project Basho

Image #46 from the Pond Scum series will be on display at Project Basho in Philadelphia, PA beginning January 10th. The print is a part of the "Onward '08" competition, "A Journey for Emerging Photographers". The competition was juried by the photographer and Guggenheim Fellow, Andrea Modica. 1,162 images from across the United States and as far as Europe and Asia were entered, 59 were chosen for the exhibition. There will be an opening reception on Saturday - January 12th from 2 to 5pm. I plan on attending the opening so if you are in the area and would like to get together to look at prints please let me know. You can read more about the event at Project Basho's news blog or by visiting their website.

Bigger Scum Scans

I recently modified my website to allow for somewhat bigger images to be displayed. As of this writing all the Project Pond Scum photographs that have been posted reflect the new, larger size. I will also be increasing the size of pictures in the other galleries but it will be done over the next few months. You can go directly to the new images by clicking HERE. I will be doing some printing over the weekend so be sure to check back next week to see the new work.

December Rain

It's been some time since I came to the realization that good photographs can be made in almost any lighting conditions. As long as you're not object oriented you will find it's always the right light to photograph something. Well, I have been somewhat object oriented lately but now that I'm through with the shooting end of my pond scum series I've been longing to just go wandering with the camera again, looking for something without knowing just what...

It's now early December in western Pennsylvania and if that means anything it means clouds and rain. The clouds didn't scare me off but the cold rain sure did. It did until I began to think about some of the incredible photographs that I've seen which were made in the rain. While my bellows don't like to get wet any more than I do there is no reason for them to get soaked. I decided to venture out before work and during lunch breaks (bean burritos travel well) to find some dry places to photograph from during the showers.

My first stop was at a local park and I hurried to the large covered decks of the Buhl Casino. It took me almost no time to find a photograph and just like that the showers were no longer a hindrance. In fact, they forced me into new places which allowed me to work in quietly beautiful conditions when I might otherwise have just stayed inside. No big surprise, a rainy day has a certain mood and charm all it's own. What did surprise me was the fact that I am not alone in my new found appreciation for precipitation. There were by no means many people at the park with me yesterday but it certainly wasn't deserted. People were walking with umbrellas, driving slowly in their cars and some were huddled on benches gazing out into the damp air and seemed to be enjoying themselves. Those brave, foolish or smart enough to be out in the weather tended not to regard me with the typical "what the hell are you doing with that strange camera" look that I usually encounter. Instead I got smiles, nods and passing hellos that seemed filled with understanding and a mutual admiration.

The same held true again this morning when I made my way out to the old Erie canal area of the Shenango River Lake. Not many people but all friendly and enjoying the moody environment which we shared. I had no doubt I would find something to photograph on such days but I never expected to discover a group of people, albeit small, with a similar sensibility. If it's taught me anything it's not only to keep an open mind about my photography but to simply keep an open mind.