New Special Edition Print: Mill Street Bridge

My newest Special Edition Print offering was made on Memorial Day in downtown New Castle, PA. I spent the morning with a friend photographing along Slippery Rock Creek and ended up near the town square on the way home. While waiting for Scott to make an exposure I began wandering around the back alleys and found my way to a parking area next to the river. I'd never really noticed the odd relationship between the Old Mill Street Bridge and the buildings on the far shore before. The river runs underneath the bridge at an angle allowing the old department store to sit just behind the iron framework and creating a rather unusual perspective. I made two negatives, one from farther back incorporating a windblown tree into the composition but I ultimately preferred this closer interpretation... Especially the position of the 'black' and 'BINGO' windows and they way the T in brother is replaced by a giant 'T' created by the ironwork. Prints will be available for a short time at the reduced price of $50. If you've ever wanted to see or own an 8x10 contact print, this is one of my finer examples from a technical standpoint and one of my favorite compositions of the moment. You can find out more information by visiting my website.

Pond Scum at The Butler

Three photographs from Project Pond Scum, #46, #56 and #64 have been juried into the 72nd National Midyear Exhibition at the Butler Museum of American Art in Yountstown, OH. This year's juror is New York based realist painter Don Eddy. The exhibition begins with a reception Sundy July 13, 2008 from 1 to 3pm and runs through Aug 24.

Night in Day

A friend and I traveled to Connecticut last weekend to visit a group of fellow photographers and, of course, make some images. On Saturday during a lighting workshop in an abandoned opera house (artificial lighting and portraits in general aren't my thing...) I spent time wandering around some long empty offices downstairs. There was an incredible sense of time and a haunting light about the place which would have kept me busy for hours had I not walked into one room in particular. The office in question was empty save for a solitary broom and a smattering of paint chips which had peeled off the wall and were strewn about the floor. The floor itself was some sort of hardwood that had been scratched and stained by god knows what over the years. Somehow this combination of elements came together in a way that transcended the objects themselves and, upon closer inspection, resembled images of deep space which have captivated me since I was a boy. Exploring on the ground glass I discovered everything from giant nebulae to the chaotic mess of our own Milky Way.

Now that the negatives are developed and printed I can clearly see a progression from the more celestial photographs in my Pond Scum series and can't help but feel I've made not only a connection with that work but taken a step forward. Five years ago I never would have have traveled 12 hours only to photograph a dirty floor and now I couldn't be more thankful that I did just that. I'm also quite thankful that whoever leaned the broom against the wall never finished the job.

More Scum... and Project Basho

Getting close to having everything worthwhile proofed. Here are a few from a printing session today... Project Basho has posted the images from their "Onward '08" show in an online gallery. If you didn't make the exhibit in person you can have a look HERE.

Rail and Bridges or A Bicycle Rode Through It

Enthusiasm for my newest work, made last week, has directed my attention away from Project Pond Scum... for the moment. This exposure was made along the Susquehanna River in Harrisburg on my way to the Onward '08 show at Project Basho. I had spent the night in a hotel a couple of miles away and woke up to rain and overcast skies. I made the best of the morning by visiting the local art museum, grabbing coffee and an apple scone at Starbucks, and photographing in a large 150 year old church downtown. I was lucky enough to be there while the organist was rehearsing, making two 9 minute exposures most enjoyable.

After observing the sun beginning to stream through the lovely and numerous stained glass windows I resolved to venture out. I made my way to the car and loaded my equipment with plans to drive to City Island. I decided I may as well take a look around the nearby riverfront area while I was there and walked about 50feet before noticing this incredibly still pool of water submerging the observation platform across the street. My view was from a far less interesting angle but I was already taken. I hurried back to grab my gear and returned to explore with the camera as quickly as I could, the sun was peeking through the clouds and rapidly burning moisture from the hazy afternoon air.

While I worked in the busy downtown area several people walked by, all avoiding the puddle. I couldn't help but wonder if they recognized what I did, or at least what I was trying to photograph, and took care not to disturb it... or whether they simply didn't want to get their feet wet. I was able to make two exposures long enough to smooth the glistening river before the sun permanently altered the scene. Still invigorated by this magical moment I hesitated to take down the camera. Moments later a bicyclist rode directly though the middle of the puddle, answering my question and motivating me to pack up. The resulting print fulfills all my expectations and further reflects my feelings for the ephemeral beauty we encounter everyday.